Who it is for

TrackSync is for Resolve editors who record separate audio.

If your camera has scratch audio, your recorder has the clean tracks, and your edit lives in DaVinci Resolve, TrackSync is built for that exact moment: sync audio with video without exporting XML, leaving Resolve, or paying for another subscription.

DaVinci Resolve Studio Separate recorder audio Camera scratch tracks Perpetual license

TrackSync results screen showing matched clips and confidence inside the plugin. — TrackSync shows match confidence before creating the new synced Resolve timeline.

Solo filmmakers For creators who shoot with one or more cameras and want clean recorder audio aligned quickly.

Small production teams For teams that need a repeatable sync step before editing interviews, branded videos, and social content.

Documentary and interview editors For long timelines where camera scratch audio and recorder tracks need to land together reliably.

Editors moving from Premiere For Resolve users who miss the speed of PluralEyes-style sync but do not want a separate roundtrip.

Best fit

Use TrackSync when the sync job should stay inside Resolve.

TrackSync is intentionally narrow. It does not try to replace your whole edit system. It focuses on one job: read the active Resolve timeline, compare recorder references with camera audio, and create a new synced timeline while the original stays untouched.

You already edit in DaVinci Resolve Studio.

TrackSync is a Resolve Workflow Integration, so the active timeline is the starting point.

You record clean audio separately.

Use recorder tracks as references and camera scratch audio as targets.

You want less XML and AAF management.

No export/import loop just to get clips aligned before editing.

You prefer buying tools once.

TrackSync is sold as a perpetual license for the purchased version, not a monthly plan.

Typical projects

Made for practical production timelines.

Interviews Lavalier or boom recorder audio matched to camera scratch tracks.

Documentaries Long shoots where sync should happen before the edit gets complex.

Corporate videos Fast post-production for talking heads, case studies, and branded films.

Multicamera shoots Camera audio aligned against stronger recorder references.

Events and weddings Separate audio sources synced before building the final story.

Creator productions Small teams that want Resolve-native sync without subscription overhead.

TrackSync setup screen showing reference recorder tracks and target camera tracks. — Select recorder references and camera targets before running sync.

Why it helps

It removes the annoying part of external sync workflows.

Standalone sync tools can be powerful, but they often turn audio sync into a translation job: export a timeline, sync outside the editor, import the result, then check what changed. TrackSync keeps the workflow closer to the edit by working from the current Resolve project.

That makes it especially useful when you sync often, work on small-team productions, or want a simple utility that is forever yours instead of another subscription in the stack.

TrackSync is not meant for every workflow.

Not for Premiere Pro, Final Cut Pro, or Avid timelines: TrackSync is focused on DaVinci Resolve Studio.
Not a cloud sync service: media and waveform analysis stay local on your Mac.
Not a rescue tool for unusable scratch audio: it needs audio overlap that can be analyzed.
Not a subscription suite: it is a focused audio sync plugin with a one-time perpetual license.

The macOS build is Apple Developer ID signed, so macOS can verify the developer identity during installation.

If you edit in Resolve, TrackSync is probably for you.

Especially if your goal is simple: sync audio with video inside DaVinci Resolve without XML exports or a subscription.

Buy TrackSync Compare with Syncaila and PluralEyes