Who we are

A production company that needed Resolve-native audio sync.

We are Mottygo s.r.o. in Prague. After 10 years with Premiere Pro and PluralEyes, we moved to DaVinci Resolve and built the sync tool we wanted for our own projects.

Prague production team Built for our own edits No XML roundtrips
TrackSync setup screen inside the DaVinci Resolve workflow integration.
Pick recorder references and camera tracks inside Resolve.
TrackSync results screen showing synced clips and confidence review.
Review matches before creating the synced timeline.
10 years Premiere Pro and PluralEyes shaped our sync expectations.
Resolve-first We wanted sync to happen where the edit already lives.
Perpetual A practical utility you buy once and keep using.
TrackSync results screen showing clip matches and offsets.
A focused results view for checking sync confidence before TrackSync writes a new timeline.

Why we built it

Syncaila worked. The workflow still felt too far from Resolve.

Exporting XML or AAF, syncing elsewhere, then importing back was more friction than we wanted. TrackSync keeps the job inside Resolve: choose references, choose targets, review matches, create a new synced timeline.

  • Native Workflow Integration plugin
  • Original timeline stays untouched
  • Media and analysis stay local

Built for real shoots

Interviews, multicam, music shoots, separate recorder audio.

TrackSync came from the kind of production work where sync has to be fast, boring, and reliable. It is not a universal NLE suite. It is a Resolve tool for one specific job.

Camera scratch audio Target clips stay easy to identify.
Recorder references Use clean audio as the stronger source.
Synced timeline TrackSync writes a new timeline, not over your edit.

Made by Resolve users, for Resolve users.

A native audio sync plugin from a Prague production company.

Buy now